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Dance Luminary Matthew Ball on Demanding Roles and Online Scrutiny: 'I Don't Feel Protective About My Body'

In the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is effortlessly straight-backed, his arms defined beneath a plain tee. During performances, ballet dancers can appear as powerful gods, yet often offstage they are petite. Not so Ball, whose height is part of his demand for princely roles and partnering. With delicate traits and intense eyes, there's a touch of Robert Pattinson about him.

An Apparent Ascent to the Top

At 31, Ball is enjoying the crest of a career that has progressed seamlessly. Growing up in Liverpool, he faced minimal ridicule for his early interest in ballet. Joining the esteemed training institution at 11, he graduated straight into the company and was advanced annually, attaining the highest position of lead dancer in 2018. He has loved taking on substantial dramatic roles, particularly the psychological angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His upcoming starring appearance is as himself, in an "In Conversation" event designed to offer behind-the-scenes insights into a performer's craft. He will guide the audience through a part, showing his cognitive workflow while execution. Yet in lighter works, the challenge is profound. "A classic ballet is one of the most demanding technically," he notes.

The Psychological Game and After the Show Feelings

What about following a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to extract all the juice out of it, and get immersed in the character, quite often I do feel self-conscious afterwards. Following Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Is there? "I'm quite active in general, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."

Early Motivations and Creative Inspirations

His tenacity originated in early experiences. Not excelling in contests at school made him "vengeful!" This became fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

The next endeavor is creating his own dance works. In his view, "there's nothing wrong with." "Breaking the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing ideas from books, music, and art.

Close-Up Dance and Private Partnership

He also is interested in presenting dance in more intimate venues. "It was just really thrilling," he says of a past experience. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They aren’t typically matched on stage at their home company, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Image

On social media, followers can see clips from his dance films and images that highlight a sculpted physique. Does he mind that the engagement can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—something that can be seen on various ways.

Ball describes his younger self as "eager for success." Did it met his expectations? "I feel very aware of how life is a separate reality to the aspirations you had as a child," he muses. He likely has about ten years of dancing left. "I guess in the time to come, I want to be a bit more kind with myself."

About the author

Laura Wells MD

Elena is a seasoned betting analyst with over a decade of experience in sports gambling and statistical modeling.

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